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I love this passage from Elizabeth Gilbert’s book entitled, Big Magic: Creative Living Beyond Fear. It really boils down to how one handles herself during a creative endeavor where there is always much uncertainty, while simultaneously there is great possibility. These words really resonated with me.

“Back in my early twenties, I had a good friend who was an aspiring writer, just like me. I remember how he used to descend into dark funks of depression about his lack of success, about his inability to get published. He would sulk and rage.

‘I don’t just want to be sitting around,’ he would moan. ‘I want this to all add up to something. I want this to become my job!’

Even back then, I thought there was something off about his attitude.

Mind you, I wasn’t being published, either, and I was hungry, too. I would’ve loved to have all the same stuff he wanted — success, reward, affirmation. I was no stranger to disappointment and frustration. But I remember thinking that learning how to endure your disappointment and frustration is part of the job of a creative person. If you want to be an artist of any sort, it seemed to me, then handling your frustration is a fundamental aspect of the work — perhaps the single most fundamental aspect of the work. Frustration is not an interruption of your process; frustration is the process. The fun part (the part where it doesn’t feel like work at all) is when you’re actually creating something wonderful, and everything’s going great, and everyone loves it, and you’re flying high. But such instances are rare. You don’t just get to leap from bright moment to bright moment. How you manage yourself between those bright moments, when things aren’t going so great, is a measure of how devoted you are to your vocation, and how equipped you are for the weird demands of creative living. Holding yourself together though all the phases of creation is where the real work lies.”

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